Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 54
Síða 19
... imaginary bases of subjectivity - the part played there by identification and imitation . She also suggests that imaginary operations , like symbolic ones , find their locus in gender , since despite the economic and social gulf which ...
... imaginary bases of subjectivity - the part played there by identification and imitation . She also suggests that imaginary operations , like symbolic ones , find their locus in gender , since despite the economic and social gulf which ...
Síða 83
... Imaginary belief that society dominates nature ) , the Real is actually and ultimately dominant over the Imaginary . However confused we may be about our actual relationship to the Real , and however much our society may play on and ...
... Imaginary belief that society dominates nature ) , the Real is actually and ultimately dominant over the Imaginary . However confused we may be about our actual relationship to the Real , and however much our society may play on and ...
Síða 68
... imaginary screen onto which psychic energies from the most archaic to the most up - to - date may be projected . The imaginary " cyborgization " starts in infancy with the socialization through television and technological toys . It ...
... imaginary screen onto which psychic energies from the most archaic to the most up - to - date may be projected . The imaginary " cyborgization " starts in infancy with the socialization through television and technological toys . It ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing