Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 49
Síða 9
... human interest story , a category which was itself born in the nineteenth century setting in which industrial society was evolving . Theoretically the difference between the two phenomena is very clearcut . The event belongs by its ...
... human interest story , a category which was itself born in the nineteenth century setting in which industrial society was evolving . Theoretically the difference between the two phenomena is very clearcut . The event belongs by its ...
Síða 64
... human beings do make their own history , but not of their own free will . The deconstruction of subject ideology notwithstanding , the question remains as to why the enormous productivity of generations has yielded so little praxis , so ...
... human beings do make their own history , but not of their own free will . The deconstruction of subject ideology notwithstanding , the question remains as to why the enormous productivity of generations has yielded so little praxis , so ...
Síða 57
... Human Use of Human Beings ( 1948 ) . - The single unifying feature of cybernetic fictions is that they pose as cybernetic devices which ultimately and this is the source of their power and postmodernism - do not work . In other words ...
... Human Use of Human Beings ( 1948 ) . - The single unifying feature of cybernetic fictions is that they pose as cybernetic devices which ultimately and this is the source of their power and postmodernism - do not work . In other words ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing