Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 62
Síða 7
... filmmakers ' efforts , since Oberhausen , to engage in an on - going dialogue with German history . This dialogue has proven significant , particularly when filmmakers have participated , as in Fassbinder's case , as subjects of the ...
... filmmakers ' efforts , since Oberhausen , to engage in an on - going dialogue with German history . This dialogue has proven significant , particularly when filmmakers have participated , as in Fassbinder's case , as subjects of the ...
Síða 92
... filmmakers . Among the few who survived intact were Kluge and Straub ; among the casualties are such diverse talents as Herbert Vesely , Vlado Kristl , and Hellmuth Costard ( who is now beginning to re - emerge with Echtzeit [ 1983 ] ...
... filmmakers . Among the few who survived intact were Kluge and Straub ; among the casualties are such diverse talents as Herbert Vesely , Vlado Kristl , and Hellmuth Costard ( who is now beginning to re - emerge with Echtzeit [ 1983 ] ...
Síða 93
... filmmakers that accepted the forms of cinema that subsidy made possible ( which included " experiment , ' self - expression , individuality , and many more of the romantic and post - romantic ideological demands ) and those who rejected ...
... filmmakers that accepted the forms of cinema that subsidy made possible ( which included " experiment , ' self - expression , individuality , and many more of the romantic and post - romantic ideological demands ) and those who rejected ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing