Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 72
Síða 13
... fiction film . In an early interview Sander noted her preference for what might be called " generic bricolage " -for the collapsing of cinematic categories : Truthfully speaking , the distinction between genres means nothing to me . I ...
... fiction film . In an early interview Sander noted her preference for what might be called " generic bricolage " -for the collapsing of cinematic categories : Truthfully speaking , the distinction between genres means nothing to me . I ...
Síða 64
... fiction of reality ( Real - Roman ) . " The task of the filmmaker , then , is to provide complex models with which the spectators can organize their experience for and by themselves . " Either social history continues to tell its fiction ...
... fiction of reality ( Real - Roman ) . " The task of the filmmaker , then , is to provide complex models with which the spectators can organize their experience for and by themselves . " Either social history continues to tell its fiction ...
Síða 47
... fiction . Such a classification according to genre hardly seems adequate for such writing whose speculation about ... fiction are aptly brought into play . Furthermore , the marked difference between postmodern fiction and the ...
... fiction . Such a classification according to genre hardly seems adequate for such writing whose speculation about ... fiction are aptly brought into play . Furthermore , the marked difference between postmodern fiction and the ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing