Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 79
Síða 44
... feminist novelists . Love hypothesized that the long - time silence of women in literature was due , not entirely to a ... feminism : The last thing feminists need is a theory that teaches them only to marvel anew at the constant ...
... feminist novelists . Love hypothesized that the long - time silence of women in literature was due , not entirely to a ... feminism : The last thing feminists need is a theory that teaches them only to marvel anew at the constant ...
Síða 31
... feminist theory and criticism.1 But if feminism is , in its most basic formulation , a rethinking of dualism , it is not always clear whether this " rethinking " recuperates the familiar dualities , or challenges them . The rethinking ...
... feminist theory and criticism.1 But if feminism is , in its most basic formulation , a rethinking of dualism , it is not always clear whether this " rethinking " recuperates the familiar dualities , or challenges them . The rethinking ...
Síða 34
... feminist film criticism . Godard's recent films - Sauve qui peut la vie , Passion , and Pré- nom Carmen - have ... feminism is one instance ) , is an evaluation of the relationship between critique and celebration . The point is ...
... feminist film criticism . Godard's recent films - Sauve qui peut la vie , Passion , and Pré- nom Carmen - have ... feminism is one instance ) , is an evaluation of the relationship between critique and celebration . The point is ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing