Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 79
Síða 120
... example is to be seen in the series of relationships established by the looks " exchanged " between Anastasia and Euphrosinia , when the czarina is about to drink , and then drinks , clearly aware that she is being poisoned ( 47-48-49 ) ...
... example is to be seen in the series of relationships established by the looks " exchanged " between Anastasia and Euphrosinia , when the czarina is about to drink , and then drinks , clearly aware that she is being poisoned ( 47-48-49 ) ...
Síða 124
... example , the opening sequence of October , particularly the first nine shots . Little by little , by means of a series of backward move- ments of the camera , by means of the accumulation of a more and more complete series of pieces of ...
... example , the opening sequence of October , particularly the first nine shots . Little by little , by means of a series of backward move- ments of the camera , by means of the accumulation of a more and more complete series of pieces of ...
Síða 119
... example suggests the implications of regulat- ing and documenting performative art according to museum codes of ... example , however , only to counter it with an earli- er , historical example of the necessary breakdown of ...
... example suggests the implications of regulat- ing and documenting performative art according to museum codes of ... example , however , only to counter it with an earli- er , historical example of the necessary breakdown of ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing