Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 36
Síða 13
... documentary and the fiction film . In an early interview Sander noted her preference for what might be called " generic bricolage " -for the collapsing of cinematic categories : Truthfully speaking , the distinction between genres means ...
... documentary and the fiction film . In an early interview Sander noted her preference for what might be called " generic bricolage " -for the collapsing of cinematic categories : Truthfully speaking , the distinction between genres means ...
Síða 14
... documentary from the fiction film - of the discursive operations and the social real specific to each . The Subjective Factor often exploits these differences for dialectical purposes . The most obvious documentary element upon which ...
... documentary from the fiction film - of the discursive operations and the social real specific to each . The Subjective Factor often exploits these differences for dialectical purposes . The most obvious documentary element upon which ...
Síða 94
... documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in Berlin , that a lot of the work is documentary - and the films are basically seen by a public already converted in ...
... documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in Berlin , that a lot of the work is documentary - and the films are basically seen by a public already converted in ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing