Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 78
Síða 33
... desire.23 But a third possibility is posed in the film , questioning the first two : the possibility of a different temporality , another time of desire . " What about my time , " shouts Milena in a context where time stands for desire ...
... desire.23 But a third possibility is posed in the film , questioning the first two : the possibility of a different temporality , another time of desire . " What about my time , " shouts Milena in a context where time stands for desire ...
Síða 98
... desire . Apart from this desire , nothing turns into an image . In this emphasis on the image , and its relation to desire , a desire strong enough and specific enough to express itself as an overt identification with the dead mother ...
... desire . Apart from this desire , nothing turns into an image . In this emphasis on the image , and its relation to desire , a desire strong enough and specific enough to express itself as an overt identification with the dead mother ...
Síða 34
... desire ; but an area which has been less discussed is the desire of feminist criticism . If feminist film criticism is an engagement with texts , it is also an engagement with the myths that surround them . The polari- ties of critique ...
... desire ; but an area which has been less discussed is the desire of feminist criticism . If feminist film criticism is an engagement with texts , it is also an engagement with the myths that surround them . The polari- ties of critique ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing