Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 62
Síða 86
... contradiction , there are abundant mentions ( and in every period ) of the " law " of the unity of opposites , of contradiction , and this is so in the most varied of subject matter areas and contexts . This can be seen clearly in the ...
... contradiction , there are abundant mentions ( and in every period ) of the " law " of the unity of opposites , of contradiction , and this is so in the most varied of subject matter areas and contexts . This can be seen clearly in the ...
Síða 89
... contradiction . Here , precisely , more and more often , Eisenstein plays both cards simultaneously - the card of contradiction ( understood as conflict , the living nutriment of every phenomenon , and in particular the very principle ...
... contradiction . Here , precisely , more and more often , Eisenstein plays both cards simultaneously - the card of contradiction ( understood as conflict , the living nutriment of every phenomenon , and in particular the very principle ...
Síða 33
... contradiction emerges . " The more contradictory a situation , the more contrasts you need to describe it . " 3 The words belong to Alexander Kluge , and presumably refer to the sorts of contradictions upon which his films have focused ...
... contradiction emerges . " The more contradictory a situation , the more contrasts you need to describe it . " 3 The words belong to Alexander Kluge , and presumably refer to the sorts of contradictions upon which his films have focused ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing