Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 32
Síða 11
... subjective factor " in any perception , recollection , or account . It also shows that factor to be an effect of discourse . Sander's film refracts a particular construction of history - an SDS construction - through the discourses of ...
... subjective factor " in any perception , recollection , or account . It also shows that factor to be an effect of discourse . Sander's film refracts a particular construction of history - an SDS construction - through the discourses of ...
Síða 12
... factor for admittance to their fellowships . Women enter these fellowships ... subjective and illusory . Together these three mechanisms - discursive ... Subjective Factor challenges all three mechanisms for effecting closure and ...
... factor for admittance to their fellowships . Women enter these fellowships ... subjective and illusory . Together these three mechanisms - discursive ... Subjective Factor challenges all three mechanisms for effecting closure and ...
Síða 15
... Subjective Factor , on the other hand , is female , and closely identified with the point of view which structures ... Subjective Factor's third - person voice speaks " over " the images and sounds of an earlier period , it is not ...
... Subjective Factor , on the other hand , is female , and closely identified with the point of view which structures ... Subjective Factor's third - person voice speaks " over " the images and sounds of an earlier period , it is not ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing