Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 41
Síða 102
... Ivan's movements in the first passage ( in particular his series of looks back and forth from right to left , shots 37 to 42 and I to K ) can be reiterated in the very greatest formal and figurative detail . Even before any analytical ...
... Ivan's movements in the first passage ( in particular his series of looks back and forth from right to left , shots 37 to 42 and I to K ) can be reiterated in the very greatest formal and figurative detail . Even before any analytical ...
Síða 131
... Ivan and his following . ( And , from this point of view , the decapitated heads of the Kolytchevs will be one of Ivan's answers . ) It is an attempt to punish Ivan for his presumptuousness and to weaken him by eliminating his sole ...
... Ivan and his following . ( And , from this point of view , the decapitated heads of the Kolytchevs will be one of Ivan's answers . ) It is an attempt to punish Ivan for his presumptuousness and to weaken him by eliminating his sole ...
Síða 137
... Ivan the Terrible , film director Sergei Eisenstein revealed his ignorance of historical fact by presenting ( ... ) Ivan the Terrible himself , who had determination and character , as weak and indecisive , a little like Hamlet . " This ...
... Ivan the Terrible , film director Sergei Eisenstein revealed his ignorance of historical fact by presenting ( ... ) Ivan the Terrible himself , who had determination and character , as weak and indecisive , a little like Hamlet . " This ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing