Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
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Síða 10
Berkeley Journal for Theoretical Studies in Media and Culture. Helke Sander and the Will to Change by Kaja Silverman The films of Helke Sander manifest so intense a preoccupation with and resistance to boundaries that they can perhaps ...
Berkeley Journal for Theoretical Studies in Media and Culture. Helke Sander and the Will to Change by Kaja Silverman The films of Helke Sander manifest so intense a preoccupation with and resistance to boundaries that they can perhaps ...
Síða 37
... Helke Sander , whose film quotes the words of Christa Wolf , that is requisite . Helke Sander's The All - Around Reduced Personality -- Redupers , like Kluge's film , focuses on the issues surrounding a particular period of time in a ...
... Helke Sander , whose film quotes the words of Christa Wolf , that is requisite . Helke Sander's The All - Around Reduced Personality -- Redupers , like Kluge's film , focuses on the issues surrounding a particular period of time in a ...
Síða 99
... Helke Sander or Harun Farocki , whose awareness of sexual politics or political economy is crucially articulated ... Helke Sander and Harun Farocki . Sander's films Redupers and The Subjective Factor have had several extremely ...
... Helke Sander or Harun Farocki , whose awareness of sexual politics or political economy is crucially articulated ... Helke Sander and Harun Farocki . Sander's films Redupers and The Subjective Factor have had several extremely ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing