Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 35
Síða 48
Berkeley Journal for Theoretical Studies in Media and Culture. Introduction to Germany in Autumn ' by Marc Silberman The German Autumn- der deutsche Herbst - still resonates five years later when evoked by the media , by government ...
Berkeley Journal for Theoretical Studies in Media and Culture. Introduction to Germany in Autumn ' by Marc Silberman The German Autumn- der deutsche Herbst - still resonates five years later when evoked by the media , by government ...
Síða 51
... Germany in Autumn in its entirety defies the linearity of historical representation . Rather , the associative nature of its editing juxtaposes and ... Deutschland im Herbst ( Germany in Autumn , INTRODUCTION TO GERMANY IN AUTUMN 51.
... Germany in Autumn in its entirety defies the linearity of historical representation . Rather , the associative nature of its editing juxtaposes and ... Deutschland im Herbst ( Germany in Autumn , INTRODUCTION TO GERMANY IN AUTUMN 51.
Síða 71
... Germany in Autumn is given in Marc Silberman's paper read at the Milwaukee Conference , reprinted here . Also see Miriam Hansen , " Cooperative Auteur Cinema and Oppositional Public Sphere : Alexander Kluge's contribution to Germany in ...
... Germany in Autumn is given in Marc Silberman's paper read at the Milwaukee Conference , reprinted here . Also see Miriam Hansen , " Cooperative Auteur Cinema and Oppositional Public Sphere : Alexander Kluge's contribution to Germany in ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing