Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 5-9Indiana University Press, 1983 |
From inside the book
Niðurstöður 1 - 3 af 40
Síða 75
... Fassbinder - sequence in Deutschland im Herbst / Germany in Autumn ( 1978 ) . For all the dissonance in this international chorus , a common refrain is that the scene is central to the entire omnibus film . In fact , the 26 - minute ...
... Fassbinder - sequence in Deutschland im Herbst / Germany in Autumn ( 1978 ) . For all the dissonance in this international chorus , a common refrain is that the scene is central to the entire omnibus film . In fact , the 26 - minute ...
Síða 83
... Fassbinder knew well . Clear connections to subsequent joint ven- tures such as Der Kandidat / The Candidate ( 1980 ) ... Fassbinder's contribution , the product of a recog- nized auteur , readily invites confusion . Given its three ...
... Fassbinder knew well . Clear connections to subsequent joint ven- tures such as Der Kandidat / The Candidate ( 1980 ) ... Fassbinder's contribution , the product of a recog- nized auteur , readily invites confusion . Given its three ...
Síða 38
... Fassbinder's own appearance in Lili Marleen as the author and Resistance leader Gunther Weisenborn . Fassbinder - Weisenborn is a figure of authorship and authority , both acting out and parodying those strategies whereby von ...
... Fassbinder's own appearance in Lili Marleen as the author and Resistance leader Gunther Weisenborn . Fassbinder - Weisenborn is a figure of authorship and authority , both acting out and parodying those strategies whereby von ...
Efni
Monster Events | 5 |
Roegs Bad Timing | 21 |
Eisensteinian Concepts | 41 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
Achternbusch Alexander Kluge Anastasia avant-garde become body Buenos Aires Cahiers du cinéma camera character cinema concept context contradiction critical critique cultural cybernetic cyborg desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation essay example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Germany in Autumn Godard Helke Sander Herbert Achternbusch human identity ideological imaginary India Cabaret Ivan Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor mode montage movement narrative narrator notion nuclear Oedipal opposition political position postmodern precisely present produce question relation relationship representation represented Sander scene sense sequence sexual difference shot signifier social space speak spectator speech story structure Subjective Factor symbolic tango theoretical tion tive traditional trans viewer visual voice whole woman women word writing