Romantic Poetry: Recent Revisionary CriticismKarl Kroeber, Gene W. Ruoff Rutgers University Press, 1993 - 508 síður This anthology fills the need for a comprehensive, up-to-date collection of the most important contemporary writings on the English romantic poets. During the 1980s, many theoretical innovations in literary study swept academic criticism. Many of these approaches--from deconstructive, new historicist, and feminist perspectives--used romantic texts as primary examples and altered radically the ways in which we read. Other major changes have occurred in textual studies, dramatically transforming the works of these poets. The world of English romantic poetry has certainly changed, and Romantic Poetry keeps pace with those changes. Karl Kroeber and Gene W. Ruoff have organized the book by poet--Blake, Wordsworth, Coleridge, Byron, Shelly, and Keats--and have included essays representative of key critical approaches to each poet's work. In addition to their excellent general introduction, the editors have provided brief, helpful forewords to each essay, showing how it reflects current approaches to its subject. The book also has an extensive bibliography sure to serve as an important research aid. Students on all levels will find this book invaluable. |
From inside the book
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Efni
GENERAL INTRODUCTION | 1 |
Thomas McFarland Field Constellation and Aesthetic Object | 15 |
Stuart Curran The I Altered | 38 |
WILLIAM BLAKE | 61 |
Heather Glen Blakes London | 88 |
William Blake | 102 |
WILLIAM WORDSWORTH | 121 |
The Ruined Cottage | 139 |
Peter J Manning The Nameless Broken Dandy and the Structure | 300 |
PERCY BYSSHE SHELLEY | 315 |
What the Mountain Said | 335 |
William Keach Rhyme and the Arbitrariness of Language | 345 |
The Identity of the Text in Shelleys | 352 |
Karl Kroeber Shelleys Defence of Poetry | 366 |
The Eve of St Agnes | 373 |
Marjorie Levinson Keats and the Canon | 386 |
What Is the Subject | 154 |
The Prelude and Critical Revision | 173 |
SAMUEL TAYLOR COLERIDGE | 187 |
The Debate on | 204 |
Limits of Expression | 221 |
Gene W Ruoff Romantic Lyric and the Problem of Belief | 240 |
Don Juan Canto II | 253 |
CrossDressing and the Politics | 267 |
Class Sexuality and the Poet | 290 |
Keatss La Belle | 400 |
A Study of Keatss | 421 |
Jerome McGann Keats and the Historical Method in Literary Criticism | 439 |
Paul H Fry History Existence and To Autumn | 465 |
SELECTIVE BIBLIOGRAPHY OF CRITICISM | 473 |
493 | |
NOTES ON CONTRIBUTORS | 503 |
Common terms and phrases
aesthetic allegorical analysis appears argues artist Athanase Autumn become Belle Dame Beppo Blake Bloom Byron Christabel Coleridge Coleridge's context criticism cultural Dame sans Merci Don Juan edition eighteenth-century English engraving essay experience Fanny Brawne female figure gender Harold Bloom human ideology illuminated printing imagination Jerome McGann John Keats Keats's language letter lines literary literature London Lord Byron Lyrical Ballads M. H. Abrams male Mariner's Mary Shelley McGann means mind Mont Blanc narrative narrator nature Oxford poem's poet poet's poetic poetry political Prelude Princeton produced published radical readers reading relation rhetoric rhyme Romantic Romanticism Rousseau Samuel Taylor Coleridge seems sense sexual Shelley Shelley's significance social Songs stanza style sublime suggests textual things thought Tintern Abbey tion tradition transvestism Univ University Press verse vision Wedding Guest William William Blake William Wordsworth woman women words Wordsworth writing York
Tilvísanir í bókina
A Return to Aesthetics: Autonomy, Indifference, and Postmodernism Jonathan Loesberg Takmarkað sýnishorn - 2005 |