Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 75
Síða 72
Berkeley Journal for Theoretical Studies in Media and Culture. " How an African Woman Can Be " : African Women Filmmakers Construct Women Sheila J. Petty Women directors have been active in the sub - Saharan African film industry since ...
Berkeley Journal for Theoretical Studies in Media and Culture. " How an African Woman Can Be " : African Women Filmmakers Construct Women Sheila J. Petty Women directors have been active in the sub - Saharan African film industry since ...
Síða 86
... women must have addressed the problems of women's position in society historically . In this regard there already exist , in some societies , structures which give women equality " ( 9 ) . The foundation of such a position is the ...
... women must have addressed the problems of women's position in society historically . In this regard there already exist , in some societies , structures which give women equality " ( 9 ) . The foundation of such a position is the ...
Síða 119
... women into the public sphere , and the rise of the suffragette movement and women's struggle for the vote . The figure of the serial - queen was revived in the forties when serials starring powerful women reflected the wartime ...
... women into the public sphere , and the rise of the suffragette movement and women's struggle for the vote . The figure of the serial - queen was revived in the forties when serials starring powerful women reflected the wartime ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York