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Niðurstöður 1 - 3 af 34
Síða 38
The Leni Riefenstahl critique takes us in the direction of debates over guilt and innocence , art and propaganda , fascism and democracy . We cannot escape these oscillations between praise and damnation if we hold onto the concepts ...
The Leni Riefenstahl critique takes us in the direction of debates over guilt and innocence , art and propaganda , fascism and democracy . We cannot escape these oscillations between praise and damnation if we hold onto the concepts ...
Síða 64
As soon as she takes on this name she falls silent ... Nor does death allow itself to be fooled , and therefore it simply takes Rosa . Rosa has been paid - off forever , and Death has spared himself a lot : no energy is needed to take ...
As soon as she takes on this name she falls silent ... Nor does death allow itself to be fooled , and therefore it simply takes Rosa . Rosa has been paid - off forever , and Death has spared himself a lot : no energy is needed to take ...
Síða 81
The narration takes the " structural form of a letter to a friend " ( Pfaff 119 ) , and in it Faye locates herself in relation to the subjects of her film by stating " here is my village . My parents are farmers .
The narration takes the " structural form of a letter to a friend " ( Pfaff 119 ) , and in it Faye locates herself in relation to the subjects of her film by stating " here is my village . My parents are farmers .
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