Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 32
Síða 92
... social and technical are separable at all , since the most technical issues already involve social considerations . Here , this approach will remain only a suggestion rather than an act.3 A different precedent comes from the ...
... social and technical are separable at all , since the most technical issues already involve social considerations . Here , this approach will remain only a suggestion rather than an act.3 A different precedent comes from the ...
Síða 108
... social arrangement is coupled with the implicitly violent naivety of " build- ing a new body ” of “ building a new life , " that is , of co - opting the female capacity of reproduction . On the other hand , " The Great Escape ...
... social arrangement is coupled with the implicitly violent naivety of " build- ing a new body ” of “ building a new life , " that is , of co - opting the female capacity of reproduction . On the other hand , " The Great Escape ...
Síða 138
... social demarginalization of sex workers . But , by the end of her book , Bell credits only performance art with cutting through the socio- political debate and , through its work - in - progress emphasis , producing postmodern ...
... social demarginalization of sex workers . But , by the end of her book , Bell credits only performance art with cutting through the socio- political debate and , through its work - in - progress emphasis , producing postmodern ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York