Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 12
Síða 98
... signifier in itself , which does not already function as the trace of another referent , another signified or another signifier.9 The “ irreducible materiality ” of the body or machine can only function as site or surface of the ...
... signifier in itself , which does not already function as the trace of another referent , another signified or another signifier.9 The “ irreducible materiality ” of the body or machine can only function as site or surface of the ...
Síða 119
... signifier was fur- ther undermined by the erosion of bourgeois entrepreneurship by the corporate state : the male's desire for autonomy and inde- pendence , ideals inherent in proprietorship , were displaced by the organization man ...
... signifier was fur- ther undermined by the erosion of bourgeois entrepreneurship by the corporate state : the male's desire for autonomy and inde- pendence , ideals inherent in proprietorship , were displaced by the organization man ...
Síða 122
... signifier of male insufficiency due to various causes , including the accession to language , castration crisis , racial and class oppression , and historical trauma . Female lack is thus a male projection which attempts to cover over ...
... signifier of male insufficiency due to various causes , including the accession to language , castration crisis , racial and class oppression , and historical trauma . Female lack is thus a male projection which attempts to cover over ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York