Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 28
Síða 14
... representation of a shifting reality . The constant challenge faced in dealing with stereotypes is precisely that of assuming representation without being limited to it ( to return freely to representation , the potential of a form to ...
... representation of a shifting reality . The constant challenge faced in dealing with stereotypes is precisely that of assuming representation without being limited to it ( to return freely to representation , the potential of a form to ...
Síða 75
... representation is not necessarily reflected through binary oppositions between the sexes . As Davies observes , African feminism " is not antagonistic to African men but it challenges them to be aware of certain salient aspects of ...
... representation is not necessarily reflected through binary oppositions between the sexes . As Davies observes , African feminism " is not antagonistic to African men but it challenges them to be aware of certain salient aspects of ...
Síða 143
... representation and who avers , therefore , that sexual difference is the problem of our epoch . Consistent with the ... representation , the danger of fluids is a function of modes of representation that privilege the solid and ...
... representation and who avers , therefore , that sexual difference is the problem of our epoch . Consistent with the ... representation , the danger of fluids is a function of modes of representation that privilege the solid and ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York