Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 23
Síða 24
... reading of the films said to display them and the filmmaker said to embody them.8 We seek to escape from the double bind that characterizes the critique's oscillations and to address the political dimensions of the critique in ways that ...
... reading of the films said to display them and the filmmaker said to embody them.8 We seek to escape from the double bind that characterizes the critique's oscillations and to address the political dimensions of the critique in ways that ...
Síða 52
... reading of the Fore / Afterword by Elias Canetti as a testament to his enor- mous support and literary influence , these two texts also document Elias ' massive , expansive , and overwhelming presence and Vene- tiana / Veza's refusal ...
... reading of the Fore / Afterword by Elias Canetti as a testament to his enor- mous support and literary influence , these two texts also document Elias ' massive , expansive , and overwhelming presence and Vene- tiana / Veza's refusal ...
Síða 111
... Reading de Man Reading . Ed . Wlad Godzich . Minneapolis : U of Minnesota P , 1989 . Writing and Difference . Trans . Alan Bass . London : Routledge and Kegan Paul , 1978 . Haraway , Donna . " A Manifesto for Cyborgs : Science ...
... Reading de Man Reading . Ed . Wlad Godzich . Minneapolis : U of Minnesota P , 1989 . Writing and Difference . Trans . Alan Bass . London : Routledge and Kegan Paul , 1978 . Haraway , Donna . " A Manifesto for Cyborgs : Science ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York