Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 41
... practices signified within the text as existing outside it , and as existing outside it in conflict , thus of aligning the subject as in identification with one set of discourses and practices and as in opposition to others . . . " ( 31 ) ...
... practices signified within the text as existing outside it , and as existing outside it in conflict , thus of aligning the subject as in identification with one set of discourses and practices and as in opposition to others . . . " ( 31 ) ...
Síða 78
... practices . It is therefore dangerous to impose a perception of status grounded in Western terms . As Okeyo observes : " While [ African women's ] workload is great and increasing , their responsibilities do not often generate the type ...
... practices . It is therefore dangerous to impose a perception of status grounded in Western terms . As Okeyo observes : " While [ African women's ] workload is great and increasing , their responsibilities do not often generate the type ...
Síða 134
... practices of the C.I.A. and the F.B.I. These hearings revealed to both Congress and the public for the first time the illegalities and unethical practices of America's intelligence agencies which had conducted numerous investigations ...
... practices of the C.I.A. and the F.B.I. These hearings revealed to both Congress and the public for the first time the illegalities and unethical practices of America's intelligence agencies which had conducted numerous investigations ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York