Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 23
Síða 26
... position of struggle vis - à - vis certain of the discourses and practices that have been signi- fied within [ the film ] , and signified in such a way as to mark them as existing outside and beyond it . It is this position that I would ...
... position of struggle vis - à - vis certain of the discourses and practices that have been signi- fied within [ the film ] , and signified in such a way as to mark them as existing outside and beyond it . It is this position that I would ...
Síða 86
... position in society historically . In this regard there already exist , in some societies , structures which give women equality " ( 9 ) . The foundation of such a position is the fundamental recognition that African tradition is not ...
... position in society historically . In this regard there already exist , in some societies , structures which give women equality " ( 9 ) . The foundation of such a position is the fundamental recognition that African tradition is not ...
Síða 99
... position of the user - subject as a position of op ‐ position to the machine . We glimpse this crisis and its enabling conditions in the machinations elaborated around the figures of life and death in " The Great Escape . " As Yurick's ...
... position of the user - subject as a position of op ‐ position to the machine . We glimpse this crisis and its enabling conditions in the machinations elaborated around the figures of life and death in " The Great Escape . " As Yurick's ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York