Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 14
Síða 76
... offer a delineation of traditional women's roles in society at different stages in their cultures ' struggles for ... offers an insight into the priorities of African feminism . Sarah Maldoror is considered to be one of the pioneers ...
... offer a delineation of traditional women's roles in society at different stages in their cultures ' struggles for ... offers an insight into the priorities of African feminism . Sarah Maldoror is considered to be one of the pioneers ...
Síða 85
... offer a view of prostitution . Guelwaar glorifies prostitution as an economic strategy superior to that of begging , but it ... offers neither a glorification nor a condemnation of prostitution . Rather , Mungai acknowledges the economic ...
... offer a view of prostitution . Guelwaar glorifies prostitution as an economic strategy superior to that of begging , but it ... offers neither a glorification nor a condemnation of prostitution . Rather , Mungai acknowledges the economic ...
Síða 123
... offers viewers the ability to " see through " a text and to derive pleasure from the text's " badness " as proof of their own " sophistication " and superiority to it . Instead of loving a work for its " truth " or " beauty , " the camp ...
... offers viewers the ability to " see through " a text and to derive pleasure from the text's " badness " as proof of their own " sophistication " and superiority to it . Instead of loving a work for its " truth " or " beauty , " the camp ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York