Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 20
Síða 47
... object of speculation . But the consequence of this statement , as Elias relates it , is that “ [ s ] o as not to sacrifice her own identity , she too began to write " ( Foreword vii ) . “ Her own identity ” as an author is therefore a ...
... object of speculation . But the consequence of this statement , as Elias relates it , is that “ [ s ] o as not to sacrifice her own identity , she too began to write " ( Foreword vii ) . “ Her own identity ” as an author is therefore a ...
Síða 61
... object ( brothel ) , protective shield ( death ) , object of ruling class psychodramas for the cleansing of the ruling class psyche ( hospital ) . Unpropertied and disfranchised things for the arbitrary display of ruling class despotism ...
... object ( brothel ) , protective shield ( death ) , object of ruling class psychodramas for the cleansing of the ruling class psyche ( hospital ) . Unpropertied and disfranchised things for the arbitrary display of ruling class despotism ...
Síða 120
... object . The male gaze is based on an asymmetry of visuality : the male is an unseen seer and the woman an object of surveillance , giving him a feeling of omnipotent power and scopophilic pleasure . “ Jack ” explicitly foregrounds the ...
... object . The male gaze is based on an asymmetry of visuality : the male is an unseen seer and the woman an object of surveillance , giving him a feeling of omnipotent power and scopophilic pleasure . “ Jack ” explicitly foregrounds the ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York