Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 23
Síða 9
... never really intended to express form , but rather , the Formless . As with the haiku which draws its poetic effect from the effortlessness and infiniteness of its " surplus meaning , " a painting with yugen — also translated in this ...
... never really intended to express form , but rather , the Formless . As with the haiku which draws its poetic effect from the effortlessness and infiniteness of its " surplus meaning , " a painting with yugen — also translated in this ...
Síða 17
... never exist prior to their performances , and the actors never quite know what they are fabricating at the moment of fabrication . What can be said of the reception of Cun- ningham's dances does apply very well here to Godard's films ...
... never exist prior to their performances , and the actors never quite know what they are fabricating at the moment of fabrication . What can be said of the reception of Cun- ningham's dances does apply very well here to Godard's films ...
Síða 64
... never have expected in Vienna but rather on a Persian miniature . Her high , arched eyebrows , her long , black lashes , with which she played like a virtuoso , now quickly , now slowly , now performing lofty motions , as though they ...
... never have expected in Vienna but rather on a Persian miniature . Her high , arched eyebrows , her long , black lashes , with which she played like a virtuoso , now quickly , now slowly , now performing lofty motions , as though they ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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