Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 20
Síða 93
... matter in computation pertains to both the matter of the machine and the matter of the user as sexuate being . The very separation between user and machine is the stage of that " inchoate drama of sexual differences " which not only ...
... matter in computation pertains to both the matter of the machine and the matter of the user as sexuate being . The very separation between user and machine is the stage of that " inchoate drama of sexual differences " which not only ...
Síða 101
... matter and form that still governs the positioning of matter as the irre- ducible site of social inscription : " For if the copies speak , or if what is merely material begins to signify , the scenography is rocked by the crisis of ...
... matter and form that still governs the positioning of matter as the irre- ducible site of social inscription : " For if the copies speak , or if what is merely material begins to signify , the scenography is rocked by the crisis of ...
Síða 110
... matter . 6 An experience not unfamiliar to users of credit cards . 7 " One by one , the perceptive faculties of an ... matter in order to ground or verify a set of injuries or violations only to find that matter itself is founded through ...
... matter . 6 An experience not unfamiliar to users of credit cards . 7 " One by one , the perceptive faculties of an ... matter in order to ground or verify a set of injuries or violations only to find that matter itself is founded through ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York