Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 35
Síða 51
... identity and name . Perhaps he meant well , attempting to shield her , if that is implied , from political stereotyping , while doing the very same in the shaping of a devoted - woman - image . Clearly , Venetiana / Veza was willing to ...
... identity and name . Perhaps he meant well , attempting to shield her , if that is implied , from political stereotyping , while doing the very same in the shaping of a devoted - woman - image . Clearly , Venetiana / Veza was willing to ...
Síða 124
... identity . “ Drag fully sub- verts the distinction between inner and outer psychic space , " writes Judith Butler , " and effectively mocks both the expressive model of gender and the notion of a true gender identity " ( 137 ) . Drag ...
... identity . “ Drag fully sub- verts the distinction between inner and outer psychic space , " writes Judith Butler , " and effectively mocks both the expressive model of gender and the notion of a true gender identity " ( 137 ) . Drag ...
Síða 140
... identity of the feminine ; its danger is that it predetermines models and behavior . Bell herself , however , in coming “ full circle ” ( 189 ) from the sacred prostitute of ancient Greece to the sacred performing prostitute of the late ...
... identity of the feminine ; its danger is that it predetermines models and behavior . Bell herself , however , in coming “ full circle ” ( 189 ) from the sacred prostitute of ancient Greece to the sacred performing prostitute of the late ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York