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Síða 29
Riefenstahl inserted herself in the thick of the historical process and adopted the determined demeanor of the independent artisanal cineaste , at odds with the German film industry as much as with twentieth - century codes of sexual ...
Riefenstahl inserted herself in the thick of the historical process and adopted the determined demeanor of the independent artisanal cineaste , at odds with the German film industry as much as with twentieth - century codes of sexual ...
Síða 32
The relentless succession of similar actions , similar images creates a tension between the coiled atemporality of the sequence and the historical consequences that followed from it . Similarly , in Müller's The Wonderful , Horrible ...
The relentless succession of similar actions , similar images creates a tension between the coiled atemporality of the sequence and the historical consequences that followed from it . Similarly , in Müller's The Wonderful , Horrible ...
Síða 42
The indexical bond between image and historical referent ( between shots of Hitler filmed at the rally and Hitler himself as a historical actor ) carries a tremendous punch that a fictional image would lack .
The indexical bond between image and historical referent ( between shots of Hitler filmed at the rally and Hitler himself as a historical actor ) carries a tremendous punch that a fictional image would lack .
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