Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 28
Síða 73
... gender tends to be grounded in Western practice , where Euro - American feminism has frequently privileged gender over other concerns . It is almost as if “ women can never assume an individual identity because they are at every turn ...
... gender tends to be grounded in Western practice , where Euro - American feminism has frequently privileged gender over other concerns . It is almost as if “ women can never assume an individual identity because they are at every turn ...
Síða 119
... gender roles accompanying women's entrance into male - defined forms of work when men left for war . The Avengers recycled the image of the serial - queen at a time when sweeping changes in American society were undermining gender ...
... gender roles accompanying women's entrance into male - defined forms of work when men left for war . The Avengers recycled the image of the serial - queen at a time when sweeping changes in American society were undermining gender ...
Síða 124
... gender codes . It placed the signs of gender identity into a performative context , displacing them from any natural or original condition . Camp functioned like drag in sug- gesting that , although an imitation of gender , there was no ...
... gender codes . It placed the signs of gender identity into a performative context , displacing them from any natural or original condition . Camp functioned like drag in sug- gesting that , although an imitation of gender , there was no ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York