Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 19
Síða 42
... function that the documentary dimension of Triumph of the Will takes on extra force . The indexical bond between image and historical referent ( between shots of Hitler filmed at the rally and Hitler himself as a historical actor ) ...
... function that the documentary dimension of Triumph of the Will takes on extra force . The indexical bond between image and historical referent ( between shots of Hitler filmed at the rally and Hitler himself as a historical actor ) ...
Síða 98
... function as the trace of another referent , another signified or another signifier.9 The “ irreducible materiality ” of the body or machine can only function as site or surface of the structures and constructions of sociality if , as ...
... function as the trace of another referent , another signified or another signifier.9 The “ irreducible materiality ” of the body or machine can only function as site or surface of the structures and constructions of sociality if , as ...
Síða 143
... functions as the repressed or disavowed condition of all knowledges " ( 20 ) . This is the import of the subtitle ... function of modes of representation that privilege the solid and determinate , not a fact of nature . Men have thus ...
... functions as the repressed or disavowed condition of all knowledges " ( 20 ) . This is the import of the subtitle ... function of modes of representation that privilege the solid and determinate , not a fact of nature . Men have thus ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York