Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
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Niðurstöður 1 - 3 af 33
Síða 73
... feminists within Western culture in the same way that my Blackness has been defined by that dominant culture " ( 158 ) . Indeed , one of the continuing criticisms of Western feminism is its apparent inability to satisfactorily address ...
... feminists within Western culture in the same way that my Blackness has been defined by that dominant culture " ( 158 ) . Indeed , one of the continuing criticisms of Western feminism is its apparent inability to satisfactorily address ...
Síða 74
... feminism and have rejected the feminist label or insisted on qualifying it ( Contemporary African Literature 13 ) . Clearly , the relevance of an analytical model based on Western agendas and applied to African constructions is being ...
... feminism and have rejected the feminist label or insisted on qualifying it ( Contemporary African Literature 13 ) . Clearly , the relevance of an analytical model based on Western agendas and applied to African constructions is being ...
Síða 75
... feminism . She recognizes that men and women in Africa are united in a common struggle for liberation from domination by colonial and neo - colonial forces . The commonality of struggle is delineated in African cinema by the fact that ...
... feminism . She recognizes that men and women in Africa are united in a common struggle for liberation from domination by colonial and neo - colonial forces . The commonality of struggle is delineated in African cinema by the fact that ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York