Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
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Síða 47
... expression of gratitude , and this questionable expression is not limited to his own work . 99 Rather than freeing Venetiana / Veza's texts from the likely ini- tial connection to Elias Canetti , successful author , the first part of ...
... expression of gratitude , and this questionable expression is not limited to his own work . 99 Rather than freeing Venetiana / Veza's texts from the likely ini- tial connection to Elias Canetti , successful author , the first part of ...
Síða 138
... expression . Prostitute art not only functions to disturb hegemonic discourses ; it also exposes positive , negative , and in - between aspects of being a sex worker , thereby putting into relief the plurality of identity and validating ...
... expression . Prostitute art not only functions to disturb hegemonic discourses ; it also exposes positive , negative , and in - between aspects of being a sex worker , thereby putting into relief the plurality of identity and validating ...
Síða 140
Berkeley Journal for Theoretical Studies in Media and Culture. expression of the prostitute , which surfaces through layers of voices , does not forget its source . Yet her expression has no voice of its own : its voice is constructed by ...
Berkeley Journal for Theoretical Studies in Media and Culture. expression of the prostitute , which surfaces through layers of voices , does not forget its source . Yet her expression has no voice of its own : its voice is constructed by ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York