Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 20
Síða 26
... effects that are no longer historically bounded . In this light , Triumph of the Will is indelibly propagandistic by dint of its formal structure first , before its actual use and effect in a given historical situation . We want to ...
... effects that are no longer historically bounded . In this light , Triumph of the Will is indelibly propagandistic by dint of its formal structure first , before its actual use and effect in a given historical situation . We want to ...
Síða 93
... effects of meaning within a social field . More importantly , as Butler points out , any invocation of matter or materiality implies recourse to signs simply because the act of positing materiality outside lan- guage , signification ...
... effects of meaning within a social field . More importantly , as Butler points out , any invocation of matter or materiality implies recourse to signs simply because the act of positing materiality outside lan- guage , signification ...
Síða 104
... effects of self - presence through the selective configuration of bodily capacities . 13 My interest lies not so much in the important task of detailing these layers , but in showing what is presupposed in any movement between them ...
... effects of self - presence through the selective configuration of bodily capacities . 13 My interest lies not so much in the important task of detailing these layers , but in showing what is presupposed in any movement between them ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York