Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 34
Síða 75
... cultural traditions are subject to continuing evolutionary processes . She writes , [ O ] ur own cultural traditions , which are by no means monolithic or static , play a role in the definition of women in society . Like all cultural ...
... cultural traditions are subject to continuing evolutionary processes . She writes , [ O ] ur own cultural traditions , which are by no means monolithic or static , play a role in the definition of women in society . Like all cultural ...
Síða 76
Berkeley Journal for Theoretical Studies in Media and Culture. cultural practice with its own unique set of priorities . In noting the fact that evolving cultural traditions have a direct influence on cultural images of women , Okeyo ...
Berkeley Journal for Theoretical Studies in Media and Culture. cultural practice with its own unique set of priorities . In noting the fact that evolving cultural traditions have a direct influence on cultural images of women , Okeyo ...
Síða 78
... cultural arrangement . Maldoror subtly underscores this gendered equality in a scene early in the film in which Maria provides Domingos with his supper meal . The scene is depicted in a two - shot which clearly suggests a notion of ...
... cultural arrangement . Maldoror subtly underscores this gendered equality in a scene early in the film in which Maria provides Domingos with his supper meal . The scene is depicted in a two - shot which clearly suggests a notion of ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York