Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 67
... created in the texts of Venetiana Taubner - Calderon and the fiction of a figure named Veza Canetti emerging in the ... creating its own redundancy . It may be appropriate here to briefly reconstruct Venetiana Taubner - Calderon's ...
... created in the texts of Venetiana Taubner - Calderon and the fiction of a figure named Veza Canetti emerging in the ... creating its own redundancy . It may be appropriate here to briefly reconstruct Venetiana Taubner - Calderon's ...
Síða 82
... create psychological intimacy in Western terms , but rather , by using shots of group activities to locate Coumba's ... creating an ideological space in which the spectator can consider all the ramifications of the situtation . This ...
... create psychological intimacy in Western terms , but rather , by using shots of group activities to locate Coumba's ... creating an ideological space in which the spectator can consider all the ramifications of the situtation . This ...
Síða 133
... created one of the few American action / adventure dramas to star a woman . A spin- off called The Girl from ... create a credible female action hero . First of all , Felton believed that April would not be able to handle things ...
... created one of the few American action / adventure dramas to star a woman . A spin- off called The Girl from ... create a credible female action hero . First of all , Felton believed that April would not be able to handle things ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York