Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 20
Síða 93
... contemporary technosociality . Through " The Great Escape , " we might evaluate one currently circulating narrative of a journey out of the encircling regime of images and actions pro- duced by the contemporary technosocial machine ...
... contemporary technosociality . Through " The Great Escape , " we might evaluate one currently circulating narrative of a journey out of the encircling regime of images and actions pro- duced by the contemporary technosocial machine ...
Síða 145
... contemporary theories of desire and technology . This paper was completed while studying with Professor Friedrich Kittler at the Humboldt Univer- sity , Berlin . Trinh T. Minh - ha is a writer , filmmaker , and composer . Her more ...
... contemporary theories of desire and technology . This paper was completed while studying with Professor Friedrich Kittler at the Humboldt Univer- sity , Berlin . Trinh T. Minh - ha is a writer , filmmaker , and composer . Her more ...
Síða
... Contemporary Film and Television Series The Radical Faces of Godard and Bertolucci YOSEFA LOSHITZKY $ 44.95 cloth , $ 18.95 paper Contemporary Film and Television Series German Cinema Texts in Context MARC SILBERMAN $ 24.95 paper ...
... Contemporary Film and Television Series The Radical Faces of Godard and Bertolucci YOSEFA LOSHITZKY $ 44.95 cloth , $ 18.95 paper Contemporary Film and Television Series German Cinema Texts in Context MARC SILBERMAN $ 24.95 paper ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York