Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
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Síða 76
... construction of women's represen- tations , and each film offers an insight into the priorities of African feminism . Sarah Maldoror is considered to be one of the pioneers of African cinema and shares that designation with such ...
... construction of women's represen- tations , and each film offers an insight into the priorities of African feminism . Sarah Maldoror is considered to be one of the pioneers of African cinema and shares that designation with such ...
Síða 126
... construction of masculinity and femininity had been left behind in a past " glamour era , " becoming available to be resur- rected as fetish objects of camp fascination and satire . “ Epic❞ self- reflexively satirized the construction ...
... construction of masculinity and femininity had been left behind in a past " glamour era , " becoming available to be resur- rected as fetish objects of camp fascination and satire . “ Epic❞ self- reflexively satirized the construction ...
Síða 138
... construction of the virtuous woman based on the construction of the unvirtuous prostitute woman . And , according to Bell's argument , only Gayle Rubin's radical feminism , among all contemporary feminisms , allows for that sexual ...
... construction of the virtuous woman based on the construction of the unvirtuous prostitute woman . And , according to Bell's argument , only Gayle Rubin's radical feminism , among all contemporary feminisms , allows for that sexual ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York