Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 16
Síða 40
... connection based on an en- dorsement of the transhistorical sanctity of the artistic sphere and , on the other hand , the insistence - articulated most vocally by Siegfried Kracauer and Susan Sontag — that her entire career displays a ...
... connection based on an en- dorsement of the transhistorical sanctity of the artistic sphere and , on the other hand , the insistence - articulated most vocally by Siegfried Kracauer and Susan Sontag — that her entire career displays a ...
Síða 47
... connection to Elias Canetti , successful author , the first part of this foreword anchors her firmly in this private realm called “ my wife ” —her writing appears as a supplement , a continuation of rescuing herself . Thus his gratitude ...
... connection to Elias Canetti , successful author , the first part of this foreword anchors her firmly in this private realm called “ my wife ” —her writing appears as a supplement , a continuation of rescuing herself . Thus his gratitude ...
Síða 97
... connection between the space beyond the computer screen and a space of internal perception , still experienced as in a body of some kind , if a virtually embodied subject ( of which Finsterlicht is an incarcerated instance ) is to exist ...
... connection between the space beyond the computer screen and a space of internal perception , still experienced as in a body of some kind , if a virtually embodied subject ( of which Finsterlicht is an incarcerated instance ) is to exist ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York