Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
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Síða 12
... cinema ) can still affirm : " It's because my cinema scarcely exists as cinema that I can make these films . The type of perfection to which mainstream cinema aspires ( in its use of clever technique with the sole aim of maintaining ...
... cinema ) can still affirm : " It's because my cinema scarcely exists as cinema that I can make these films . The type of perfection to which mainstream cinema aspires ( in its use of clever technique with the sole aim of maintaining ...
Síða 73
... cinema and are of limited value when applied to non - Eurocentric cinema . By the 1980s , feminist film critics began to rethink the limits of this Eurocentric model . Within this debate , Ellen Seiter has argued that " psychoanalytic ...
... cinema and are of limited value when applied to non - Eurocentric cinema . By the 1980s , feminist film critics began to rethink the limits of this Eurocentric model . Within this debate , Ellen Seiter has argued that " psychoanalytic ...
Síða 81
... cinéma - vérité , ” and although this technique influences her work , Rouch's actual practice left her dissatisfied with his " eurocentric " portrayal of Africans ( Pfaff 116 ) . Faye brings to cinéma - vérité her own visual style , but ...
... cinéma - vérité , ” and although this technique influences her work , Rouch's actual practice left her dissatisfied with his " eurocentric " portrayal of Africans ( Pfaff 116 ) . Faye brings to cinéma - vérité her own visual style , but ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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