Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 7
... attempts to berate or exclude verbal expression . ( This , precisely in a society marked with the stamp of dualistic rationalism , where demonstrative reasoning and explanatory discourse dominate , and where in the name of logos , all ...
... attempts to berate or exclude verbal expression . ( This , precisely in a society marked with the stamp of dualistic rationalism , where demonstrative reasoning and explanatory discourse dominate , and where in the name of logos , all ...
Síða 54
... attempt to influence less the reading and more the transition between the text read and reality , an attempt he considers to fail since the writer of the afterword as well as the author of the main text is no longer in control . The ...
... attempt to influence less the reading and more the transition between the text read and reality , an attempt he considers to fail since the writer of the afterword as well as the author of the main text is no longer in control . The ...
Síða 130
... attempted take - over would suggest . Women's power is merely an instance of male ventriloquism : in the end it is ... attempt to construct a language of female power , offering reassurance to viewers who can perceive feminine power ...
... attempted take - over would suggest . Women's power is merely an instance of male ventriloquism : in the end it is ... attempt to construct a language of female power , offering reassurance to viewers who can perceive feminine power ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York