Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
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Síða 76
... Sambizanga ( 1972 ) , Faye's Peasant Letter ( Kaddu beykat , 1975 ) , and Mungai's Saikati ( 1992 ) all offer a delineation of traditional women's roles in society at different stages in their cultures ' struggles for political ...
... Sambizanga ( 1972 ) , Faye's Peasant Letter ( Kaddu beykat , 1975 ) , and Mungai's Saikati ( 1992 ) all offer a delineation of traditional women's roles in society at different stages in their cultures ' struggles for political ...
Síða 77
... Sambizanga . Maldoror , in commenting on the film in a recent interview in Ecrans d'Afrique , disclosed that one of her major aims was to show the participation of women in a liberation struggle , because “ in the end , wars only work ...
... Sambizanga . Maldoror , in commenting on the film in a recent interview in Ecrans d'Afrique , disclosed that one of her major aims was to show the participation of women in a liberation struggle , because “ in the end , wars only work ...
Síða 78
... Sambizanga is best understood as two interconnected expressions of a cultural whole . Sambizanga belongs to what might be termed the first wave of sub - Saharan African cinema and is contemporaneous with Ous- mane Sembene's Xala ( 1974 ) ...
... Sambizanga is best understood as two interconnected expressions of a cultural whole . Sambizanga belongs to what might be termed the first wave of sub - Saharan African cinema and is contemporaneous with Ous- mane Sembene's Xala ( 1974 ) ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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Common terms and phrases
aesthetic African cinema African women Anne Mungai Antifascism Avengers Bashō become camp Carl Hanser Verlag computational construction contemporary context corporeal cultural death Diana Rigg discourse drama Duras Elias Canetti embodied Emma Emma Peel Emma's escape essay fantasies Faye female feminine feminism feminist filmmaker Finsterlicht's body function Geduld bringt Rosen Gelbe Straße gender genre German Gerontomat Göbel Grosz hetairae historical identity issues Kino International Leni Riefenstahl Leni Riefenstahl critique literary machine Maldoror male Maria masculine materiality matter Minh-ha Müller's Mungai Murner N'gor narrative Nazi networks Oger ogre oppression Peasant Letter performance physical political position proleptic propaganda prostitute pseudonym reading representation roles Runkel Safi Faye Saikati Sambizanga Schnerk sexual difference shame signifier social Sontag space Steed story struggle Susan Sontag television traditional Trans Triumph Venetiana Taubner-Calderon Venetiana/Veza Veza Canetti Veza Magd visual voice Western woman artist writes Yellow Street York Zeami