Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 20
... Riefenstahl ) 1 Riefenstahl Revisited The release of Ray Müller's biographical film and the near simul- taneous American publication of the autobiography , Leni Riefen- stahl : A Memoir , remind us again of the continuing significance ...
... Riefenstahl ) 1 Riefenstahl Revisited The release of Ray Müller's biographical film and the near simul- taneous American publication of the autobiography , Leni Riefen- stahl : A Memoir , remind us again of the continuing significance ...
Síða 21
... Riefenstahl too much space to maneuver , Müller replied , " I hate films which tell me what to think . " 5 Müller lets Riefenstahl demon- strate her pride in the technical and aesthetic aspects of just those films made during the Nazi ...
... Riefenstahl too much space to maneuver , Müller replied , " I hate films which tell me what to think . " 5 Müller lets Riefenstahl demon- strate her pride in the technical and aesthetic aspects of just those films made during the Nazi ...
Síða 35
... Riefenstahl's memoir portrays a woman artist caught with- in an unseen set of double binds . Riefenstahl presents herself in her memoir , and in Müller's film , as an autonomous , determined woman and artist , but at the same time as ...
... Riefenstahl's memoir portrays a woman artist caught with- in an unseen set of double binds . Riefenstahl presents herself in her memoir , and in Müller's film , as an autonomous , determined woman and artist , but at the same time as ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York