Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 8
Síða 22
... film , when Müller asks Riefenstahl more openly about social guilt and artistic responsibility , she will have none of it . She should not be held accountable. Kino International Corporation , still from The Wonderful , Horrible Life of ...
... film , when Müller asks Riefenstahl more openly about social guilt and artistic responsibility , she will have none of it . She should not be held accountable. Kino International Corporation , still from The Wonderful , Horrible Life of ...
Síða 23
... film exemplifies the traditional critique of Leni Riefen- stahl . This critique opts between two tendencies , either ... Kino International Corporation , still from The Wonderful , Horrible Life of Leni Riefenstahl ( 1994 ) Kino ...
... film exemplifies the traditional critique of Leni Riefen- stahl . This critique opts between two tendencies , either ... Kino International Corporation , still from The Wonderful , Horrible Life of Leni Riefenstahl ( 1994 ) Kino ...
Síða 25
... films but in her entire body of work : " For Riefenstahl is the only major artist ... whose work , not only during the Third ... Kino International Corporation , still from The Wonderful , Horrible Life of Leni Riefenstahl ( 1994 ) Kino ...
... films but in her entire body of work : " For Riefenstahl is the only major artist ... whose work , not only during the Third ... Kino International Corporation , still from The Wonderful , Horrible Life of Leni Riefenstahl ( 1994 ) Kino ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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aesthetic African cinema African women Anne Mungai Antifascism Avengers Bashō become camp Carl Hanser Verlag computational construction contemporary context corporeal cultural death Diana Rigg discourse drama Duras Elias Canetti embodied Emma Emma Peel Emma's escape essay fantasies Faye female feminine feminism feminist filmmaker Finsterlicht's body function Geduld bringt Rosen Gelbe Straße gender genre German Gerontomat Göbel Grosz hetairae historical identity issues Kino International Leni Riefenstahl Leni Riefenstahl critique literary machine Maldoror male Maria masculine materiality matter Minh-ha Müller's Mungai Murner N'gor narrative Nazi networks Oger ogre oppression Peasant Letter performance physical political position proleptic propaganda prostitute pseudonym reading representation roles Runkel Safi Faye Saikati Sambizanga Schnerk sexual difference shame signifier social Sontag space Steed story struggle Susan Sontag television traditional Trans Triumph Venetiana Taubner-Calderon Venetiana/Veza Veza Canetti Veza Magd visual voice Western woman artist writes Yellow Street York Zeami