Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 18,Útgáfa 31996 |
From inside the book
Niðurstöður 1 - 3 af 11
Síða 120
... Emma is left a country house by her mysterious Uncle Jack . However , the uncle turns out to be a fake and the ... Emma's entrapment a nightmarish Kafkaesque aura . She is surrounded by halls lined with huge cut - out Jacks , and led ...
... Emma is left a country house by her mysterious Uncle Jack . However , the uncle turns out to be a fake and the ... Emma's entrapment a nightmarish Kafkaesque aura . She is surrounded by halls lined with huge cut - out Jacks , and led ...
Síða 126
... Emma Peel , " the film is to be a real - life enactment of Emma's imperilment and ultimate death . In each scene Emma is forced to play the role of the female victim in various types of movies . This conflation of fiction and reality ...
... Emma Peel , " the film is to be a real - life enactment of Emma's imperilment and ultimate death . In each scene Emma is forced to play the role of the female victim in various types of movies . This conflation of fiction and reality ...
Síða 127
... Emma Peel , have all these qualities . " Von Schnerk's victimization of Emma thus signifies a backlash against the emancipated woman who is both feared by and fascinating to the patriarchal male . In the first scene , Emma is dressed in ...
... Emma Peel , have all these qualities . " Von Schnerk's victimization of Emma thus signifies a backlash against the emancipated woman who is both feared by and fascinating to the patriarchal male . In the first scene , Emma is dressed in ...
Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
5 aðrir hlutar ekki sýndir
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