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Síða 46
Venetiana Taubner - Calderon- Canetti died in 1963. In 1983 , when the anthology Dreißig neue Erzähler was republished , the editor notes in her preface that she is unable to supply any information on the author Veza Magd ( Göbel 181 ...
Venetiana Taubner - Calderon- Canetti died in 1963. In 1983 , when the anthology Dreißig neue Erzähler was republished , the editor notes in her preface that she is unable to supply any information on the author Veza Magd ( Göbel 181 ...
Síða 53
See Helmut Göbel , Postscript , Die Gelbe Straße , by Veza Canetti ( München : Carl Hanser Verlag , 1990 ) 171 . 4 Wieland Herzfelde , Hrsg . und Einl . , Dreißig neue Erzähler des neuen Deutschland . Junge deutsche Prosa ( Berlin ...
See Helmut Göbel , Postscript , Die Gelbe Straße , by Veza Canetti ( München : Carl Hanser Verlag , 1990 ) 171 . 4 Wieland Herzfelde , Hrsg . und Einl . , Dreißig neue Erzähler des neuen Deutschland . Junge deutsche Prosa ( Berlin ...
Síða 63
picture of her conjured up by Elias Canetti . It is a picture which does not even come close to her person , it is pure fiction . This denial of a literary talent in no way inferior to his makes one pensive , sad , angry .
picture of her conjured up by Elias Canetti . It is a picture which does not even come close to her person , it is pure fiction . This denial of a literary talent in no way inferior to his makes one pensive , sad , angry .
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Efni
The Power of the Image | 20 |
The Preface of a Spouse | 45 |
Veza CanettiBetween Fact and Fiction | 56 |
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action aesthetic African already appears artist attempt Avengers become begins body called camp Canetti characters cinema computational connection constitutes construction contemporary continued corporeal create critical critique cultural death desire difference direct discourse distinction effects Elias Emma escape example expression fact fantasies female feminine feminism feminist figure film Finsterlicht's forced Foreword function gender German gives historical identity issues Kino International Leni Riefenstahl living look machine male materiality matter meaning narrative Nazi never Notes object offers performance physical play political position possible practices present production propaganda prostitute question reading relation remain representation response returns Riefenstahl roles sexual shame signifier signs situation social society space specific story Street structure struggle suggests takes television thing traditional Veza voice Western woman women writes York