Discourse, Bindi 13Indiana University Press, 1991 |
From inside the book
Niðurstöður 1 - 3 af 36
Síða 60
... spectator's subjective engagement with the filmic text is more complicated . Teresa de Lauretis , for example , claims that the female spectator identifies with the active and desiring male subject as well as with the passive and ...
... spectator's subjective engagement with the filmic text is more complicated . Teresa de Lauretis , for example , claims that the female spectator identifies with the active and desiring male subject as well as with the passive and ...
Síða 78
... spectator does not see Miriam's murder directly but rather reflected in her own glasses . They act as a mirror in which her castration becomes visible ( and by implication the castration of the female spectator by the cinematic ...
... spectator does not see Miriam's murder directly but rather reflected in her own glasses . They act as a mirror in which her castration becomes visible ( and by implication the castration of the female spectator by the cinematic ...
Síða 79
... spectators as well . In this way , the film insures that the spectatorial subject will be satisfied that it has been adequately reflected on the screen . The spectator's subjective engagement with the film guarantees the production of ...
... spectators as well . In this way , the film insures that the spectatorial subject will be satisfied that it has been adequately reflected on the screen . The spectator's subjective engagement with the film guarantees the production of ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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