Discourse, Bindi 13Indiana University Press, 1991 |
From inside the book
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Síða 71
... Bruno's compartment : “ He didn't like the idea of its spending the night in Bruno's room , or of Bruno's touching it and open- ing it " ( 32 ) . Although Guy rejects Bruno's proposal unequivo- cally , Bruno ignores his protestations ...
... Bruno's compartment : “ He didn't like the idea of its spending the night in Bruno's room , or of Bruno's touching it and open- ing it " ( 32 ) . Although Guy rejects Bruno's proposal unequivo- cally , Bruno ignores his protestations ...
Síða 74
... Bruno . In the context of his accidental meeting with Bruno , the " A " engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to suggest ...
... Bruno . In the context of his accidental meeting with Bruno , the " A " engraved on the lighter is ambiguous . It not only stands for Ann but also for Bruno ( whose last name in the film is Anthony ) . Thus the markings seem to suggest ...
Síða 75
... Bruno's , thereby reducing him to Bruno's double . The crosscuts that link the two men in the film repeat formally the crisscross that links them in the plot . A shot of Bruno looking at his watch crosscuts to one of Guy looking at his ...
... Bruno's , thereby reducing him to Bruno's double . The crosscuts that link the two men in the film repeat formally the crisscross that links them in the plot . A shot of Bruno looking at his watch crosscuts to one of Guy looking at his ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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