Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 13Indiana University Press, 1991 |
From inside the book
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Síða 117
... dance probed the Primitive not only as an experienced mode of being but also as a cultural construct to be acknowledged critically . Graham's writing during this period also embroils imitation ( to be avoided ) and unique presence ( to ...
... dance probed the Primitive not only as an experienced mode of being but also as a cultural construct to be acknowledged critically . Graham's writing during this period also embroils imitation ( to be avoided ) and unique presence ( to ...
Síða 118
... dance may be figured , described or drawn , its meanings are not transferable to analogous behavior . The intention of this work is to remain at the origin of presence , not at the origin of meaning . Graham's writings show that she ...
... dance may be figured , described or drawn , its meanings are not transferable to analogous behavior . The intention of this work is to remain at the origin of presence , not at the origin of meaning . Graham's writings show that she ...
Síða 123
... Dance ( New York : Dance Horizons , 1974 ) 49-50 . 5 Susan Manning , " Modernist Dogma and Post - Modern Rhetoric , " The Drama Review 32.4 ( 1988 ) : 35 . 6 " Terpsichore in Combat Boots , " letters from Sally Banes and Susan Manning ...
... Dance ( New York : Dance Horizons , 1974 ) 49-50 . 5 Susan Manning , " Modernist Dogma and Post - Modern Rhetoric , " The Drama Review 32.4 ( 1988 ) : 35 . 6 " Terpsichore in Combat Boots , " letters from Sally Banes and Susan Manning ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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