Discourse, Bindi 13Indiana University Press, 1991 |
From inside the book
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Síða 115
... Primitive ) , formal experimen- tation was superimposed on a figural ground . In Graham's work , the body in space could be considered both the figural ground and the material for formal experimentation . Labeling Graham “ emotivist ...
... Primitive ) , formal experimen- tation was superimposed on a figural ground . In Graham's work , the body in space could be considered both the figural ground and the material for formal experimentation . Labeling Graham “ emotivist ...
Síða 124
... primitive and modern art as " twin phenomena . " See Gone Primitive : Savage Intellects , Modern Lives ( Chicago : U of Chicago P , 1990 ) 86 . 14 In Manning's terms , Graham " set movement that drew attention to itself against dramatic ...
... primitive and modern art as " twin phenomena . " See Gone Primitive : Savage Intellects , Modern Lives ( Chicago : U of Chicago P , 1990 ) 86 . 14 In Manning's terms , Graham " set movement that drew attention to itself against dramatic ...
Síða 186
Gone Primitive : Savage Intellects , Modern Lives . Marianna Torgovnick . Chicago : U of Chicago P , 1990. 328 pp . James A. Boon Marianna Torgovnick looks to have gone postmodern - presumably to distinguish herself from modernists who ...
Gone Primitive : Savage Intellects , Modern Lives . Marianna Torgovnick . Chicago : U of Chicago P , 1990. 328 pp . James A. Boon Marianna Torgovnick looks to have gone postmodern - presumably to distinguish herself from modernists who ...
Efni
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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